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Adapturgy

Adapturgy

The Dramaturg's Art and Theatrical Adaptation

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Jane Barnette

$40.00

E-book (Other formats: Paperback)
978-0-8093-3628-9
10 illustrations
11/22/2017

Theater in the Americas

 

Additional Materials

About the Book

Dramaturg Jane Barnette has put together an essential guide for theatre scholars and practitioners seeking to understand and participate in the process of adaptation for the stage. Employing the term “adapturgy”—her neologism for the art of adaptation dramaturgy—Barnette redefines the dramaturg’s role and thoroughly refutes the commonplace point of view that adapted works are somehow less creative than “original” plays.

The dual nature of dramaturgy and adaptation as both process and product is reflected in the structure and organization of the book. Part 1 explores the ways that linking adaptation to dramaturgy advances our understanding of both practices. Part 2 demonstrates three different methods—each grounded in a detailed case study—for analyzing theatrical adaptations. Part 3 offers concrete strategies for the dramaturg: dramaturgy for the adapted script; the production dramaturgy of stage adaptations; and the role of the dramaturg in the postmortem for a production. Rounding out the book are two appendixes containing interviews with adapters and theatre-makers and representative program notes from different play adaptations.

Plays adapted from literature and other media represent a rapidly growing segment in the theatre. Adapturgy: The Dramaturg's Art and Theatrical Adaptation offers both practical and theoretical tools for understanding and creating these new works. 
 

Authors/Editors

Jane Barnette is an assistant professor and the director of graduate studies in the theatre department at the University of Kansas. She serves as regional vice president for the Literary Managers and Dramaturgs of the Americas and conference planner for the Theory and Criticism Focus Group of the Association for Theatre in Higher Education. She has published essays in Journal of Adaptation in Film and Performance and Text and Performance Quarterly and in the edited collection The Routledge Companion to Dramaturgy.